friendship, loyalty, and life on the edge: jimmy chin on his film âx80x98meru,âx80x99 in theaters august 14 - battery power storage

In the new documentary Meru, the film festival audience Awards-
Climbers Conrad Anker, Jimmy Chin, and Renan oztec won the film at the theater in August 14, sharing the coveted route to build shark fins in Mount MeruThe 21,000-
The hiking peak in northern India is considered the cosmic center in Hindu cosmology, and over the past 30 years the elite climbing team has failed to try more than any other Himalayan peak.
In fact, the team led by Anker tried the peak in 2008 before capturing the climb in 2011 (
Anker tried it once before).
The movie "physical risk beyond climbing", many of which are meant to allow the "alpians" to speak publicly on their own about the very personal losses and challenges they had experienced many years before the summit.
So far, every Meru show has seen the cheers, tears and standing ovation of the audience.
The movie "alone" is an impressive performance. The three climbers took all the photos themselves, while the distance footage was taken by their 2011 base camp manager.
No entertainment.
Here, Chin tells us that seven years later, he finally finished the film and played his talented partner.
Director's wife, Chai Vasarhelyi, turned this elite alpinism claim into a deep personal story about friendship, loyalty and marginal life.
Adventure: What aspects of the film most resonate with the audience of the film festival?
Jimmy Chin: From the reaction so far, I think people expect to see a climbing movie and be moved by the character's story and the universal theme of friendship and loyalty.
A: Can you use Meru as the background for climbing the wall at dawn? Climbing the wall at dawn has just caught the attention of the world.
What are the differences and similarities in climbing?
JC: the climbing of the Dawn Wall is similar to the Meru because it is very largewall climb.
Dawn Wall is different from Meru because Tommy Caldwell and Kevin Joel song are free --
A place to climb with only hands and feet.
On Meru, we are free to climb, but can also help us climb where we use gear to help us move up.
When Tommy and Kevin climbed freely on the wall of dawn, I was still blown away.
It's pretty future when it's free. climbing world.
The challenge for Meru is that we are big.
Climbing walls and temperatures at 20,000 feet m on Mount Himaya can be a bit cold.
You can say it's like climbing El Cap there.
A: In this movie, you, Conrad, and Renan have all gone deep into your experience at the edge of risk and what impact this has on your relationship.
Is it difficult to share such personal feelings and emotions, especially when climbers are shaped to endure or even a little cold?
JC: It's easier and more objective to share the stories of Renan and conra, but it's much harder to share my own personal stories.
In previous edits, I performed much less in the movie.
My wife Chai and I are an incredible filmmaker, and her addition has really changed the dynamics of the film.
This is an incredible collaboration.
She brought so much to the table and really showed me where the bar is in this space.
She knows well what aspects of each of our stories will be well integrated and what aspects of each character are important.
She did a great job of balancing all of these elements and weaving them together in a way that really raised the narrative.
The trust and friendship you three share is incredible.
Did Meru give you the bond?
Will they live forever?
JC: Conrad and I have been exploring many times since the 2001 s.
We had some hard trips together, suffered pain and hunger, and were very close.
In 2008, when we first went to Meru, I didn't know much about Renan.
He was perfect for the team and we were very close after such an epic climb.
Yes, these friendships will last for a lifetime.
A: I think portaledge is a bit like a fourth character.
That is, you all feel safe and enjoy your life.
Is it a safe zone?
JC: once the portaledge is built and anchored well, we are all in the sleeping bag, which is a safe area.
We are closed outside the elements and can eat and drink some tea etc.
On some peaceful nights, the moments before we go to bed, hang out and overlook the Himalayas through open doors, will be forever engraved in my memory.
Unforgettable.
A: When did you decide to turn the camera on while shooting?
I like to be behind the camera.
I have been hiding behind it for years.
On 2008, Renan boarded the plane, and then someone pointed the camera at me.
We often exchange cameras and lenses with each other.
I know that if each of us has our own way, we all want to take more photos than we want to be the subject.
A: You said that the shooting rules of the expedition are 1)
Shoot as much as possible; 2)
Do not endanger climbing because of shooting; 3)
Don't put the camera down.
What advice can you give us for these three?
JC: for the first, you have to be selective about beginners because you don't have unlimited power or storage space.
So saying you should shoot as much as you can doesn't mean shooting anytime, anywhere.
We still have to be careful to use too much battery power, especially when it's low.
There are other factors that are really limiting, such as climbing, hiccups, stacking ropes, organization, water melting, and so on that keep us very busy.
For second place, we don't have the luxury of setting up shots or reshooting
Leading Position of camera.
Everything has to be filmed on the plane and we never want to slow down the climb in order to shoot.
I 've been working on more production adventures where the tail swings the dog.
This is the opposite of that adventure.
Third, we have a tie.
There are points and ropes in the Carbine gun so we can clip them down for backup.
When you change the cards, it's the real trick not to throw them away.
Gloves. off activity.
A: Jon krakaur has put this climb in context throughout the film, as only krakaur can do.
He is immortal, perhaps feeding the chaos of Mount Everest out of thin air, and is very picky about his project.
Why did he have a relationship with Meru?
JC: We told him that one day we just needed to do a quick interview with something and it was a bit cheating on him and he appreciated it.
Once we had him, he had a number of friendly interviews over the years. He was great.
He was also very close to Conrad, and on his way to Nepal and Mexico to surf, I went out with him for a while.
In the end, he is just a good friend who helps us.
I can't start to thank him for his time and interest.
He is an incredible addition to the film and I think he is really happy with the film.
In a way, you do realize in the movie that he is not just a narrator, but more of a character in the movie.
A: You have A common relationship with your wife. Director of Credit
Some couples will flinch from the idea.
How does it feel to work together?
JC: It's hard to have two directors in the marriage.
We must have had some serious creative struggles around the film, which is not easy.
But is it worth it? Absolutely.
I respect her approach very much, her thinking and her ability to tell stories.
Now that the film is done, I can see how amazing it is to collaborate.
We have all brought some very different advantages and perspectives to the film.
She knows very well where she wants to bring the story and the movie, and I don't know.
She is also doing surgery for the editor.
We work with Bob eishardt, one of today's great doctoral editors.
He is great and I have learned a lot from him.
Finally, I don't know if we will go through these difficulties to make this movie if we don't get married!
You're dad now.
Is there anything big on your list that needs to be done?
Or need to be met?
JC: I think being a good dad is one of the things to do.
But I will always ski, climb, surf and go out on the mountain and ocean.
That's who I am.
My goal is to keep doing it all and enjoy it all.
If a big goal captures my imagination, I'm sure I'll check it out.